Thou Didst Leave Thy Throne

     Emily Elliott had a special concern for those who
were sick. She wrote many poems and hymn texts
especially for the infirm, publishing forty-eight of them
in a little book called Under the Pillow. She may have
been influenced by her aunt, Charlotte Elliott, who
wrote "Just As I Am". Charlotte was a prolific poet
and was sickly for much of her life.

     This particular hymn was written for children, to
teach them about Jesus' birth. It has a simple construc-
tion--each of the first four stanzas presents a contrast
with the word but. Given the first two lines of each
stanza, you might expect the world to welcome Christ,
but no--it had no room for Him. The chorus is a natural
response to the predicament, something that even a child
could understand. Though the world had no room for the
Lord, we have room for Him in our hearts.
   
     The last stanza provides a stirring conclusion. The
Lord, once rejected and displaced, will soon come in
victory--and we should all be waiting.
                                       --Wm. J. & Randy Petersen

Thou Didst Leave Thy Throne

Thou didst leave Thy throne and Thy kingly
  crown
When Thou camest to earth for me;
But in Bethlehem's home was there found no
  room
For thy holy nativity.

  O Come to my heart, Lord Jesus--
  There is room in my heart for Thee!

Heaven's arches rang when the angels sang,
Proclaiming Thy royal decree;
But of lowly birth didst Thou come to earth,
And in great humility.

The foxes found rest, and the birds their nest
In the shade of the forest tree;
But Thy couch was the sod, O Thou Son of
  God,
In the deserts of Galilee.

Thou camest, O Lord, with the living Word
That should set Thy people free;
But with mocking scorn and with crown of
  thorn
They bore Thee to Calvary.

When the heav'ns shall ring and the angels
  sing
At Thy coming to victory,
Let Thy voice call me home, saying, "Yet there
  is room--
There is room at My side for thee."

  My heart shall rejoice, Lord Jesus,
  When thou comest and callest for me!

   --Emily Elizabeth Steele Elliott (1836-1879)

O, Come, O Come, Emmanuel

     This hymn is ancient, not only in its text, but also in its
music. While the tune used today was not really finalized
until the 1800s, it is based on plainsong, which was used
in the church during medieval times. The lack of strict rhyth-
mic measures gives the tune a free-flowing style. You can
almost imagine the simple intervals echoing through a stone
cathedral.

     The text developed without the chorus as a series of li-
turgical phrases used during Advent. Each stanza concen-
trates on a different biblical name for Christ, making this
hymn a rich source for Christian meditation. Jesus is Em-
manuel--"God with us"; Wisdom from on high; Desire of
nations; Lord of might; Rod of Jesse; Dayspring; and Key
of David. As we approach Christmas, let us take some
time to think about the nature of the Christ whose coming
we celebrate.
                     --William J. Petersen & Randy Petersen
                        The One Year Book of Hymns

O Come, O Come, Emmanuel

O come, O come, Emmanuel,
And ransom captive Israel,
That mourns in lonely exile here
Until the Son of God appear.

   Rejoice! Rejoice! Emmanuel
   Shall come to thee, O Israel!

O come, Thou Wisdom from on high,
And order all things, far and nigh;
To us the path of knowledge show,
And cause us in her ways to go.

O come, Desire of nations, bind
All peoples in one heart and mind;
Bid envy, strife, and quarrels cease;
Fill the whole world with heaven's peace.

O come, thou Dayspring, come and cheer
Our spirits by Thine advent here;
Disperse the gloomy clouds of night,
And death's dark shadows put to flight.

Latin Hymn (twelfth century)
Stanzas 1 and 4 translated by John Mason Neale
   (1818-1866)
Stanzas 2 and 3 translated by Henry S. Coffin
   (1877-1954)

Come, Thou Long-Expected Jesus

     Prolific hymnwriter Charles Wesley penned eighteen Christmas
songs, but he was never happy with simply painting the picture of the
manger scene. In this hymn he begins by alluding to scriptural proph-
ecies of Christ. Moving on to personal application, he continues:
Christ is not only the "desire of every nation"; He is the "joy of every
 longing heart." He is not only the child born with the "government...
on his shoulders" (Isaiah 9:6); He is "born to reign in us forever."

     Such personal application was a hallmark of the Wesleys' ministry.
Charles and his brother John challenged the staid Anglican traditions
of their time. The church of their day had great scholarship; its theol-
ogy was orthodox. Christians sang hymns straight from Scripture.
But the Wesleys seemed to ask, "Does this mean anything to you?
Is the biblical story about long-ago events or about what is going on
in your life?" They urged people to meet Christ personally and to
 include Him in every part of their lives--even their hymn singing.

Come, Thou Long-Expected Jesus

Come, Thou long-expected Jesus,
Born to set Thy people free;
From our fears and sins release us;
Let us find our rest in Thee.
Israel's strength and consolation,
Hope of all the earth Thou art;
Dear desire of every nation,
Joy of every longing heart.

Born Thy people to deliver,
Born a child and yet a King,
Born to reign in us forever,
Now Thy gracious kingdom bring.
By Thine own eternal Spirit
Rule in all our hearts alone;
By Thine all sufficient merit,
Raise us to Thy glorious throne.

--Charles Wesley (1707-1788)

The One Year Book of Hymns,
Robert K. Brown & Mark R. Norton, Eds.
Wm. J. Petersen & Randy Petersen, Devotion

[Mini-Bio]: AESCHYLUS (525-456 B.C.E.)

Greek playwright. Born at Eleusis, Aeschylus began his career as
a dramatist during the 490s B.C.E. He was one of the most popular
tragedians of his period, winning thirteen victories in the Athenian
competitions. As was customary for the day, Aeschylus played the
lead in many of his own plays. He is credited with expanding the
dramatic capacitites of tragedy by introducing multiple characters
and reducing the role of the chorus.

Although Aeschylus is believed to have written about ninety plays,
only seven bearing his name survive, comprising the oldest corp-
us of Greek drama still extant. Six plays have been authenticated:
The Persians (472 B.C.E.), Seven Against Thebes (467), and The
Suppliant Women (466-459); and Agamemnon, The Libation-
Bearers, and Eumenides, a trilogy of works that together form the
Oresteia (458). (Prometheus Bound, once ascribed to Aeschylus,
is now thought to belong to a later era.) Scholars maintain that
most, if not all, of his plays fit into larger play cycles, most of
which have been lost.

Human history as a progression of guilt and vengeance, honor,
pride, and criminality is the great theme of Aeschylus' work. He
dramatizes the precarious situation of mankind, battered by the
often petty demands and punishments of the gods, driven to crime
and despondency by the passions of the immortals. Some critics,
however, contend that Aeschylus believed that the cycle of moral
corruption and decay could be broken, and that the future of Athen-
ian democracy might offer an escape from tragedy.

--Dictionary of Global Culture, Kwame Appiah & Henry L.
   Gates, Jr., Editors

INSCRIPTION - Franklin

I never knew either my Father or Mother to have any Sickness but that of which
they dy'd, he at 89 & she at 85 years of age. They lie buried together at Boston,
where I some years since placed a Marble stone over their Grave with this Inscription:

                                                          Josiah Franklin
                                                       And Abiah his Wife
                                                         Lie here interred.
                                       They lived lovingly together in Wedlock
                                                           Fifty-five Years.
                                  Without an Estate or any gainful Employment,
                                             By constant labour and Industry,
                                                        With God's blessing,
                                                 They maintained a large Family
                                                            Comfortably;
                                           And brought up thirteen Children,
                                                  And seven Grand Children
                                                              Reputably.
                                                 From this Instance, Reader,
                                      Be encouraged to Diligence in thy Calling
                                                 And distrust not Providence.
                                               He was a pious & prudent Man,
                                           She a discreet and virtuous Woman.
                                                        Their youngest Son,
                                            In filial Regard to their Memory,
                                                        Places this Stone.
                                         J.F. born 1655 -- Died 1744 --AEtat 89
                                          A.F. born 1667 -- died 1752 ------85

                                                         --The Autobiography of Benjamin Franklin

A Portrait of the Artist...

In the 1916 classic autobiographical novel A Portrait
of the Artist as a Young Man, author James Joyce
tells of an artist who has his portrait painted in his youth.
Over the course of his life as the young man's character
changes, so does the portrait, until it becomes a hideous
depiction of his soul as reflected in his face. Though the
story is surreal, the phenomenon can be quite true in
every person's life.

You do become the artist who paints your own portrait
from the inside out--your character. You paint it habit by
habit, day by day, line by line, shadow upon shadow.
Each conversation you have adds its own color to the can-
vas. Each dilemma carves a new dimension. Every decision
creates new depth. Failures and successes give perspec-
tive. Over time, each trait blends into the final character
profile.

The canvas is yours. Your character is ready for your crea-
tion. It will be your most priceless possession. You have
final say about what goes into it. After you've completed it,
no one can destroy it or alter it. Once you sign your name
to it and leave your earthly studio, you will always be re-
membered by this final, distinctive work of art.

--Dianna Booher
   Your Signature Life
  

The Falling of the Leaves

Autumn is over the long leaves that love us,
And over the mice in the barley sheaves;
Yellow the leaves of the rowan above us,
And yellow the wet wild-strawberry leaves.

The hour of the waning of love has beset us,
And weary and worn are our sad souls now;
Let us part, ere the season of passion forget us,
With a kiss and a tear on thy drooping brow.

--William Butler Yeats